Sunday

COURSE DURATION: DIPLOME CERTIFICATE

• 1year +3Months • 6months +1Months • 3months +1Months

CLASSES TIME:

• 09.30am to 4.30pm Batch

• Topics Covered in Syllabus: -
• History of Cinema and Television
• The History of Cinematography

• Cinema camera
• RED EPIC 5K
• RED ONE MYSTERIUM X 4K
• BLACK MAGIC DESIGN PRODUCTION CAMERA 4K
• ARRI (FILM) CAMERA


• Video camera
• Professional video camera 4k
• SONY 4K Camera
• SONY HDV HVR Z7U HIGH DEFINITION CAMCODER
• PANASONIC AG-AC90 CAMERA
• Panasonic AG-HMC80
• Sony DSR-PD177P


• DSLR – Digital Single – Lens Reflex camera
• PANASONIC LUMIX DMC GH4 -4K
• SONY ALPHA a7s - 4K
• CANON EOS 5D MARK II & MARK III
• CANON EOS 6D
• NIKON

• Basic
• Basic: Film Direction
• Basic: Video Editing
• Basic: Photoshop
• Basic: 3D

• Basic: Film Direction
• What is a Direction
• General Ideas of film, Video & Audio
• Fundamentals of Direction elements
• Shooting in Slow Motion. (High speed camera)

• Feature films
• Add films
• Tele films
• Documentary films
• Short films
• Educational films
• Online program films
• Tele play
• Tele Episode
• News story
• Animation films
• Children films

• Duties of Direction Department
• Apprentice
• Assistant Directors
• Associate Directors
• Co-Director
• Director

• TCR - CLAP BOARD – TRP
• CLAP BOARD
• Banner
• Title
• Date
• Location
• Day / Night
• Int / Ext
• TLK / SIL / PLB
• Scene Number
• Shot Number
• Take Number
• Insert shot
• End Clap (Reversely)

• TCR – Editing Report
• Date: …………… Time: …………
• Title: ………….. Scene No: ………….
• Director: ……………… Cinematographer: ……………………. Ass.Director…….

• Basic: Video Editing
• 1. Basic Video and Audio Editing
• Difference between Linear and Non Linear Editing
• Offline Editing and Online Editing
• Multiple cameras footage editing in Offline & Online
• Chrome key, Keying, Mattes, and Masks
• Color Correction
• DTS mixing/ Optical and Graphics
• DIT
• PAL – NTSC – SECAM
• TCR
• Clap board / editing report


• 2. Basic Audio Editing
• Audio Fundamentals
• Measuring Sound Intensity
• Signal-to-Noise Ratio
• Headroom and Distortion
• Dynamic Range and Compression
• Stereo Audio
• Digital Audio
• Hours
• Minutes
• Seconds
• Frames

• Photography: Digital SLR camera
• Digital Single Lens Reflex (DSLR)
• PANASONIC LUMIX DMC GH4 -4K
• SONY ALPHA a7s - 4K
• CANON EOS 5D MARK II & MARK III
• NIKON

• Video camera
• Professional video camera 4k
• SONY 4K Camera
• HDV HVR Z7U HIGH DEFINITION CAMCODER
• PANASONIC AG-AC90 CAMERA
• Panasonic AG-HMC80
• Sony DSR-PD177P


• Principle of Television
• Interlace scanning
• Horizontal scanning
• Vertical scanning
• Line interval
• Horizontal sync
• Vertical interval
• Sync pulse generator
• Vertical resolution
• Horizontal resolution and band width
• Colour composite Video signal
• Colour Television systems (PAL, SECAM, and NTSC)
• Colour Principles.
• Colour bars
• Split Fields
• How to adjust Color Monitor


• Video camera
• Pick up Device
• Optical section
• Charge Couple Device-CCD.
• Interline transfer
• Frame transfer
• Comparison between it and ft sensor
• Electronic Shutter
• Handling highlight
• HAD sensor
• Advantages/ limitation / resolution of CCD
• Corrections applied to video processing
• Shading Corrections
• Aperture Correction
• Flare Correction
• ABL
• Gamma correction
• Chrome gamma/colour correction
• Digital Signal processing in camera.


• Video camera ACCESSORIES
• Zoom lens
• View Finder
• Microphone
• Test chart
• Battery
• AC adapter
• Camera cable
• Care and handling of the Equipment


• CAMERA SET
• AUDIO SET
• DISPLAY SET
• IN/OUT REC
• TC/UB SET
• MEMORY SET
• SETTING THE DATE AND TIME
• GAIN SETUP
• SMOOTH GAIN
• HYPER GAIN
• ACG LIMIT
• BLK BALANCE
• WB PRESET
• WB O
• OTHERS


• Dubbing/Editing
• Dubbing to VCR, DVD/HDD device
• Recording pictures from a VCR
• Copying movies on a tape to a computer


• Adjusting the exposure
• Adjusting the iris
• Adjusting the volume of light (ND filter)
• Adjusting the gain
• Adjusting the shutter speed


• Adjusting to natural color (White balance)
• Customizing the picture quality (Picture profile)
• Adjusting the black balance


• DISPLAY
• FOCUS
• EXP.FOCUS
• ONE PUSH AF
• FOCUS INFNTY
• FOCUS MACRO
• D.EXTENDER
• HYPER GAIN
• BLK BALANCE
• AE SHIFT
• INDEX MARK
• STEADYSHOT
• BACK LIGHT
• SPOTLIGHT
• FADER
• COLOR BAR
• LAST SCN RVW
• REC REVIEW
• END SEARCH
• ZEBRA
• MARKER
• PEAKING


• CAMERA SET
• GAIN SETUP
• SMOOTH GAIN
• HYPER GAIN
• AGC LIMIT
• BLK BALANCE
• WB PRESET
• WB OUTDR LVL
• WB TEMP SET
• ATW SENS
• SMOOTH WB
• AE SHIFT
• AE WINDOW
• AE RESPONSE
• AT IRIS LMT
• ECS FREQ.
• FLCKR REDUCE
• CNTRST ENHCR
• BACK LIGHT
• SPOTLIGHT
• STEADYSHOT
• AF ASSIST
• FOCUS MACRO
• HANDLE ZOOM
• D.EXTENDER
• FADER
• SMTH SLW REC
• INTERVAL REC
• DV FRAME REC
• SHOT TRANSITION
• S.TRANS/F.MARK
• x.v.Color
• COLOR BAR
• FLANGE BACK


• AUDIO SET
• DV AU.MODE
• AUDIO LIMIT
• XLR SET
• AUDIO CH SEL
• DV AUDIO MIX


• DISPLAY SET
• ZEBRA
• HISTOGRAM
• PEAKING
• MARKER
• CAM LEVELING
• EXP.FOCUS TYPE
• CAM DATA DSP
• AU.LVL DISP
• ZOOM DISPLAY
• FOCUS DISP
• SHUTTER DISP
• LCD BRIGHT
• LCD COLOR
• LCD BL LEVEL
• VF B.LIGHT
• VF COLOR
• VF POWERMODE
• LETTER SIZE
• REMAINING
• DISP OUTPUT


• IN/OUT REC
• REC FORMAT
• VCR HDV/DV
• HDV PROGRE.
• DV PROGRE.
• DV REC MODE
• DV WIDE REC
• VIDEO OUT
• LINK SET
• EXT REC CTRL


• TC/UB SET
• TC PRESET
• TC COUNTUP
• UB PRESET
• TC FORMAT
• TC RUN
• TC MAKE
• TC LINK
• UB TIME REC
• UB-DATE/TC-TIME


• MEMORY SET
• ALL ERASE
• FORMAT
• FILE NO.
• NEW FOLDER
• REC FOLDER
• PB FOLDER


• OTHERS
• CAMERA PROF
• ASSIGN BTN
• CLOCK SET
• WORLD TIME
• LANGUAGE
• PB ZOOM
• UICK REC
• DATE REC
• BEEP
• REC LAMP[F]
• REC LAMP[R]
• REMOTE CTRL
• HOURS METER
• CAMERA PROF.
• ASSIGN BTN
• CLOCK SET
• WORLD TIME
• LANGUAGE
• PB ZOOM
• QUICK REC
• DATE REC
• BEEP
• REC LAMP[F]
• REC LAMP[R]
• EMOTE CTRL


• Functions and Controls of Video Camera
• Colour Bar
• Power on/off
• VTR on/off
• Zoom control
• Iris Control auto/ manual/
• Viewfinder
• Earphone
• CCU cable connector,
• Camera Connector
• Video out
• Battery carrier
• Mikes in
• Low light On/off
• Viewfinder Controls
• Eye Piece Focus
• Zebra on /off
• Marker
• Viewfinder indicators
• CG
• Black Level/white balance
• Iris
• Audio
• Gain DB.
• Filter selection
• Colour Temperature
• Tape end
• Ape position
• Black stretch
• Shutter/various speed of electronic shutter.
• Tone
• Various Controls and how to use them
• Lens controls
• Back focus and how to set it
• Macro Focus
• Gen Lock,
• Multi-core camera cable,


• Camera support for video /film cameras
• Tripod
• Type Of heads
• Trolley dolly and cranes
• Large camera Cranes
• Fixing camera to vehicle
• Remotely controlled camera system
• Hand held camera
• Steady cam
• Rigging material.
• Chicken box.


• Understanding Video recording
• Composite and component
• Principle of video recording
• VTR formats
• Digital Recording Formats
• Apex: - DCT
• Chromo Sampling Methods
• Video compression
• JPEG
• MPEG, MPEG-1, MPEG-2.
• Editing and compression
• Digital sampling and storage


• Recording Formats
• 2K, 4K, 5K, 6K,8K
• Full HD
• MPEG-IMAX
• XD-CAM/CINE ALTA
• HD-V
• HD
• HD-CAM
• DV-CAM.


• Multi-camera system and ONLINE prod
• CCU
• TIME BASE ERROR
• Imp points about Multi camera system


• Video Signal measurement tool
• Waveform monitor
• Monitoring the video signal
• Controlling the camera signal
• Stability of the video signal
• Vectroscope
• Front panel control of Vectro scope
• Phase and amplitude of colour vector


• Cinematography modules
• Cinema camera
• RED HELIUM 8K
• RED EPIC 5K
• RED ONE MYSTERIUM X 4K
• BLACK MAGIC DESIGN PRODUCTION CAMERA 4K
• ARRI (FILM) CAMERA


• THEORY OF CAMERAOPERATION
• Mysterium x sensor
• Image processing
• Hdrx
• Magic motion
• Audio recording
• Microphone level analog inputs
• Line level analog inputs
• Video monitoring outputs
• Bomb evf
• Red touch lcd
• Hd-sdi
• Hdmi
• Redmote
• Digital magazine (media)


• Metadata
• Red’s family of dsmc cameras record the metadata, which is data for each frame of the recording:
• Clip name
• Time code
• Date and gmt
• Lens and shutter speed / angle parameters
• Audio configuration
• Firmware version
• Media serial
• ltc user bits (3 32-bit word reg-dumps from isp)
• S4i static data
• S4i dynamic data
• Gmt time/data
• RGB curves
• Shadow control
• Luma curve
• Lens name, brand, id, near focus, far focus
• Camera network name
• Production name
• Director name
• Dp name
• Copyright
• Unit
• Camera name
• Location
• Scene
• Take
• Accelerometer data
• Gyro data


• Clip naming conventions
• Multi camera shoots
• 3d (stereo) camera shoots
• Smpte timecode
• Power consumption
• Camera operational controls
• Side ssd module
• Navigation group
• Installation / removal
• Dsmc modules
• Pro i/o module
• Rear ssd module
• Quad battery module
• Dual battery module


• MODULE INSTALLATION / REMOVAL
• Power down the camera.
• Remove the REDMOTE.
• Place the adapter plate over the v-mount on the rear of the camera brain.
• Using a T-20 Torx, lightly tighten the four screws. Do not over tighten
• Tighten the screws again in a cross pattern until tight.


• ATTACHING THE DSMC MODULE
• REDMOTE
• Still/Motion Slider B. Release Button (L) C. Record LED
• Power LED
• Rocker Switch F. User Keys A-D G. MENU Button
• Soft Menu Keys 1-3 I. Navigation Group
• Focus/Record Button K. Soft Menu Keys 4-8 L. Power/Lock Slider
• Release Button (L) N. USB Connector


• REDMOTE Navigation Group
• Scroll Wheel
• Direction Keys
• Enter Button


• DISPLAYS BOMB EVF AND BOMB EVF (OLED)
• Resolution: 1280 (wide) x 784 (high) full-color
• Contrast Ratio: 1000:1 typical
• Available diopter range: +2.0 to -5.0.I


• BOMB EVF
• Focus Ring
• Talley Light
• Brightness Controls


• Touch screen LCD – 5” LCD Shown
• User Key 1 1:1 Magnify
• Backlight Adjust
• C. User Key 2 Exposure Check


• BASIC OPERATION
• DC (Voltage) or Brick (%)
• Battery Module batteries
• Side Handle battery


• BACKPACK QUICKPLATE (SHORT) CONNECTORS
• LED Green Blinking = Battery Used
• LED Yellow Blinking = Battery has 10 minutes of run time remaining
• LED Red Blinking = Battery has 5 minutes of run time remaining
• LED Constant Red = Battery Discharged


• EXTERNAL DC POWER
• Power Status LED
• Power/Record Button
• Record Status LED


• The display elements
• Audio Meter
• Clip Level Bar
• Clip Meter
• Cursors
• Drop
• F Stop
• False Color Mode
• Frame Guide
• Frame Rate
• Gunlock
• HDR Mode
• Histogram
• ISO Rating
• LAN
• Magnify
• Media Status
• Menu ICON
• Noise Level Bar
• Playback ICON
• Power
• Project Frame Rate
• Quality
• Resolution Record
• RIG
• RM
• Shutter Speed
• Shutter Sync
• TC
• Temperature
• Time code
• White Balance
• Next Clip Filename
• Playback Access (Touch screen)
• Current frame capture rate
• ISO Rating
• Shutter Speed (or Shutter Angle)
• ISO
• F STOP
• APERTURE (F STOP)
• FOCUS
• EXPOSURE
• INTEGRATION TIME
• REDCODE OPTIONS FOR VARIOUS FRAME RATES

• 1. Digital Single Lens Reflex (DSLR)
• Aspect Ratios & Anamorphic Lenses
• Compression & Bit Rate
• Depth of Field
• Exposure & Aperture
• Focal Length
• Frame Rate
• ISO & Noise
• Progressive vs. Interlaced (1080p vs 1080i)
• Viewfinder
• Shutter Release
• Shutter
• Shutter Speed Control
• F-Stop Control
• Flash
• Hot Shoe Mount
• Lens Ring Mount


• Time – lapse photography


• STORAGE (FOR THE SHOOT)
• SUPPORT SYSTEM


• Audio record - DSLR
• Boom Mic
• Camera Mounted Mic
• Wireless Lavalier
• Foley
• Noise
• Conclusions
• Magic Lantern Firmware
• GH1 Firmware
• Matte Box
• Filtration,Variablend
• LCD ViewFinder
• Field Monitor
• Picture Style Editor
• Post-Production Overview
• Storage (For the edit)
• Transferring,Viewing,Transcoding
• Audio Sync,Drift
• Noise Reduction
• Color Grading


• Important Camera controls
• ISO Speed
• Camera Shooting Modes
• Exposure meter
• The Histogram
• Exposure Compensation
• File type to store you images
• Storeage Cards
• Colour Space refers to the number of colours you camera will store
• Lenses and focal length
• Holding your Camera Steady
• Filters - do you need them and if so which ones are Important?
• White Balance
• F-stops and Apertures
• Important Camera Accessories


• LENS FOCAL LENGTH
• Typical focal lengths
• Normal
• Wide-angle
• Extreme wide-angle
• Portrait
• Telephoto
• Super-Telephoto
• Field sports
• Gym sports


• AUTOFOCUS
• Focus area selection modes
• Autofocus modes


• EXPOSURE
• Shutter speed + aperture (f-stop) + ISO (“film speed”) = exposure
• Aperture (f-stop)
• Shutter speed
• ISO (film speed)


• EXPOSURE METERING MODES
• Spot metering
• Center-weighted metering
• Evaluative, intelligent, or Matrix metering
• Exposure compensation
• Exposure Bracketing
• Shooting Modes


• WHITE BALANCE
• White balance modes
• Auto (or AWB)
• Preset (PRE)
• Creative use of white balance


• Source-specific
• Incandescent
• Fluorescent
• Flash
• Bright sunlight
• Cloudy
• Shade


• FLASH
• Types of flash
• Built-in on-camera flash or “pop up flash
• External hot-shoe mountable flash
• Professional strobes and studio lighting systems


• When and how to use flash
• Indoors
• Outdoors


• TRIPOD
• Why do I need a tripod?
• What kind of tripod to buy
• Tips for photographing with a tripod


• POST-PROCESSING AND IMAGE EDITING
• Re-sizing
• Sharpening
• Color correction
• Color conversion
• Levels or curves
• Red-eye correction
• Perspective or composition fixes


• Photoshop
• Types of Camera Shots
• ECU
• CU
• ELS
• MS
• MLS
• MCU
• LS
• OSS
• POV
• OTH
• Dolly Shot
• Establishing Shot
• Master Shot
• Aerial Shot
• Bridging Shot
• Montages Shot
• Silhouetting Shot
• Flash Back shot
• Flash forward shot


• Types of Camera Angels – Movement
• High
• Eye
• Low
• Overhead / Birds eye view
• Zoom
• Panning (Pan Right – Pan Left)
• Tilt (Tilt Up – Tilt Down)
• Dolly
• Tracking


• Visual Places
• Midground
• Foreground
• Background


• Mise-en-scene
• Setting / Location
• Properties
• Costumes, Makeup and hairstyles
• Coding of colors
• Actor, body language and position in frame
• Lighting


• Composing the shot
• Balance
• Spacing
• Background
• Placement of figures


• CAMERA DEPATRMENT
• Cinematographer
• Director of Photography
• Camera Operator
• First Assistant Camera
• Second Assistant Camera
• Camera focus puller
• Film Loader
• Camera Production Assistant
• Digital Imaging Technician
• Stead cam Operator
• Motion Control Technician/Operator
• DIT


• Exposure control
• Exposure
• Film speed. ASA
• Shutter speed
• Aperture


• Composition rules
• Line
• Shape
• Color
• Texture
• Direction
• Size


• Lens
• Resolving power: definition Focal length
• Prime lenses/block lenses
• Zoom lens
• Angle of view
• Normal lens
• Telephoto lens
• Wide angle lens
• Macro lens/micro lens
• Converter
• Idea of perspective
• Zoom ratio
• Lens speed
• Depth of field
• Depth of focus
• Hyper focal distance.
• Lens.Companies.carl Zeiess. Anguenus.


• Advance Photographic Image
• Halation,
• Anti halation backing,
• Logarithmic scales
• Opacity
• Densities
• Base densities,
• Relation between Density and fog level
• Characteristic Curves
• D-max D-min, Shoulder, Toe,
• Gamma.
• Density measurement
• Black and white density


• ADVANCE EXPOSURE CONTROL
• Exposure test
• Metering
• Exposure latitude
• Light meters
• Incident light meter
• Reflected light meter
• 18% grey card.
• Zone System - Ansal Adam


• Colour and contrast
• Primary colour
• Secondary colour
• Tints and shades
• Colour mixing, subtractive and additive
• Complementary colours
• Basic properties of colour
• Hue, value, saturation
• Brightness and luminosity
• Warm and cool colour
• Colour relationship, harmonious, contrasting
• Neutral colour
• Colours and lights
• Colour Psychology


• Camera filters
• Filter factor
• Filter grades
• UV filter
• Infra red filter
• Neutral density filter
• Color gradation
• Polarizing filter
• Spl effect filters
• Diffusion filters
• Fog or pro-mist filter
• Contrast control filter
• Star effect
• Filter for black and white
• Colour conversation.80B, 85.
• Filtre.
• Sepia filter
• Day for night
• Contrast viewing filter
• Close up and split Field
• Handmade filter
• 85and ND mixed
• Florescent correction filter
• Mixed light situation


• Lights
• Tungsten lamps
• quartz lamp
• arc lamp
• Fluorescent tube lights
• Full spectrum fluorescent
• Flicker free Lights, HMI
• Muti-20, Muti-10, baby, solar, 5K
• Mini Brute
• Strobe lights
• Kino-Flo spl lights
• Fresnel spot
• Follow spot
• Disco -lights
• Cyclorama/background lights
• Soft Box lights
• Use of cutter stand, black cloth
• Use of Skimmer and satin cloth
• Various diffusion materials
• Control of intensity
• Barn doors
• Use of reflectors
• Outdoor location lighting
• Studio lighting
• Day for nights
• Night exterior
• Kino Flo
• Led lights


• Types of Lights
• Key Light
• Fill light
• Back light
• Rim lighting photography


• Lighting tools to control the Light
• Cutter stand
• Black cloth
• Black paper
• Thermo coal
• Gateway paper
• Butter paper
• Barn door
• Skimmer
• Magic arm
• Cutter
• C-clamp
• U- Clamp


• Primary colors
• Blue – Yellow
• Green – Magenta
• Red - Cyan

• Introduction
• Introducing Black magic URSA
• Attaching the Handle
• Attaching a Lens
• Powering Your Camera
• Mounting Batteries


• CFast Cards
• Inserting a CFast Card
• Preparing a CFast Card for Recording
• Preparing CFast Cards on a Mac OS X Computer
• Preparing CFast Cards on a Windows Computer


• Overview of Camera Controls
• DOP Station
• Monitor Controls
• Work Station Features
• Camera Assist and Audio Station
• Work Station Features
• Front Panel
• Rear Panel
• Top Panel
• Bottom Panel


• Recording
• Recording Clips
• Recording Duration Table


• Playback
• Playing Back Clips


• Connectors:
• Camera Assist and Audio Station Connectors
• Rear Panel Connectors
• Bottom Panel Connector


• Camera Features


• Work Station Buttons
• Touch Screens
• Touch Screen Features
• Status Strip
• Power Indicator
• Duration Display
• Transport Display
• Media Timeline


• Settings
• Camera Settings
• Audio Settings
• Recording Settings
• File Naming Convention
• Display Settings


• Entering Metadata


• Camera Video Output


• Monitoring using SDI


• Post Production Workflow
• Working with Files from CFast 2.0 Cards
• Editing your Clips
• Using Final Cut Pro X
• Using Avid Media Composer
• Using Adobe Premiere Pro CC
• Using Autodesk Smoke 2013


• Black magic Camera Utility
• Transfer of Film to Video
• Tele-cine basic.
• Type of Tele-cine machine.
• Frame per sec.
• File type.


• LATEST TECHNOLOGY
• Digital Intermediate: - DI
• Understanding various models and technical aspects connected with D.I.
• DIT


• Batteries for Motion picture camera
• Shooting Format
• 16mm/
• 35mm/
• 70mm/
• super.16/
• I-max
• /3-D


• Digital film making
• LFR( Laser film recorder)
• DI(DIGITAL INTERMEDIATE)
• DIT


• Central Board of Film Certification
• The Central Board of Film Certification (often referred to as the Censor Board)
• Current Certificates
• U = Universal
• UA = Parental Guidance
• A = Adults Only
• S = Restricted to any special class of persons
• Additionally, V/U, V/UA, V/A
• special cinematography
• Points about How to Shooting in
• Various Typical Situations like.
• Rigging the camera
• Underwater shooting
• Shooting in snow
• Aerial photography.
• Shooting through Mirrors
• Use of Acrylic Mirror
• 3-Days Study Tour

• Topics Covered in Syllabus
• History of Cinema and Television
• The History of Cinematography

• Cinema camera
• RED EPIC 5K
• RED ONE MYSTERIUM X 4K
• BLACK MAGIC DESIGN PRODUCTION CAMERA 4K
• ARRI (FILM) CAMERA


• Video camera
• Professional video camera 4k
• SONY 4K Camera
• SONY HDV HVR Z7U HIGH DEFINITION CAMCODER
• PANASONIC AG-AC90 CAMERA
• Panasonic AG-HMC80
• Sony DSR-PD177P


• DSLR – Digital Single – Lens Reflex camera
• PANASONIC LUMIX DMC GH4 -4K
• SONY ALPHA a7s - 4K
• CANON EOS 5D MARK II & MARK III
• CANON EOS 6D
• NIKON

• Basic
• Basic: Film Direction
• Basic: Video Editing
• Basic: Photoshop
• Basic: 3D

• Basic: Film Direction
• What is a Direction
• General Ideas of film, Video & Audio
• Fundamentals of Direction elements
• Shooting in Slow Motion. (High speed camera)

• Feature films
• Add films
• Tele films
• Documentary films
• Short films
• Educational films
• Online program films
• Tele play
• Tele Episode
• News story
• Animation films
• Children films

• Duties of Direction Department
• Apprentice
• Assistant Directors
• Associate Directors
• Co-Director
• Director

• TCR - CLAP BOARD – TRP
• CLAP BOARD
• Banner
• Title
• Date
• Location
• Day / Night
• Int / Ext
• TLK / SIL / PLB
• Scene Number
• Shot Number
• Take Number
• Insert shot
• End Clap (Reversely)

• TCR – Editing Report
• Date: …………… Time: …………
• Title: ………….. Scene No: ………….
• Director: ……………… Cinematographer: ……………………. Ass.Director…….

• Basic: Video Editing
• 1. Basic Video and Audio Editing
• Difference between Linear and Non Linear Editing
• Offline Editing and Online Editing
• Multiple cameras footage editing in Offline & Online
• Chrome key, Keying, Mattes, and Masks
• Color Correction
• DTS mixing/ Optical and Graphics
• DIT
• PAL – NTSC – SECAM
• TCR
• Clap board / editing report


• 2. Basic Audio Editing
• Audio Fundamentals
• Measuring Sound Intensity
• Signal-to-Noise Ratio
• Headroom and Distortion
• Dynamic Range and Compression
• Stereo Audio
• Digital Audio
• Hours
• Minutes
• Seconds
• Frames

• Photography: Digital SLR camera
• Digital Single Lens Reflex (DSLR)
• PANASONIC LUMIX DMC GH4 -4K
• SONY ALPHA a7s - 4K
• CANON EOS 5D MARK II & MARK III
• NIKON

• Video camera
• Professional video camera 4k
• SONY 4K Camera
• HDV HVR Z7U HIGH DEFINITION CAMCODER
• PANASONIC AG-AC90 CAMERA
• Panasonic AG-HMC80
• Sony DSR-PD177P


• Principle of Television
• Interlace scanning
• Horizontal scanning
• Vertical scanning
• Line interval
• Horizontal sync
• Vertical interval
• Sync pulse generator
• Vertical resolution
• Horizontal resolution and band width
• Colour composite Video signal
• Colour Television systems (PAL, SECAM, and NTSC)
• Colour Principles.
• Colour bars
• Split Fields
• How to adjust Color Monitor


• Video camera
• Pick up Device
• Optical section
• Charge Couple Device-CCD.
• Interline transfer
• Frame transfer
• Comparison between it and ft sensor
• Electronic Shutter
• Handling highlight
• HAD sensor
• Advantages/ limitation / resolution of CCD
• Corrections applied to video processing
• Shading Corrections
• Aperture Correction
• Flare Correction
• ABL
• Gamma correction
• Chrome gamma/colour correction
• Digital Signal processing in camera.


• Video camera ACCESSORIES
• Zoom lens
• View Finder
• Microphone
• Test chart
• Battery
• AC adapter
• Camera cable
• Care and handling of the Equipment


• CAMERA SET
• AUDIO SET
• DISPLAY SET
• IN/OUT REC
• TC/UB SET
• MEMORY SET
• SETTING THE DATE AND TIME
• GAIN SETUP
• SMOOTH GAIN
• HYPER GAIN
• ACG LIMIT
• BLK BALANCE
• WB PRESET
• WB O
• OTHERS


• Dubbing/Editing
• Dubbing to VCR, DVD/HDD device
• Recording pictures from a VCR
• Copying movies on a tape to a computer


• Adjusting the exposure:
• Adjusting the iris
• Adjusting the volume of light (ND filter)
• Adjusting the gain
• Adjusting the shutter speed


• Adjusting to natural color (White balance)
• Customizing the picture quality (Picture profile)
• Adjusting the black balance


• DISPLAY
• FOCUS
• EXP.FOCUS
• ONE PUSH AF
• FOCUS INFNTY
• FOCUS MACRO
• D.EXTENDER
• HYPER GAIN
• BLK BALANCE
• AE SHIFT
• INDEX MARK
• STEADYSHOT
• BACK LIGHT
• SPOTLIGHT
• FADER
• COLOR BAR
• LAST SCN RVW
• REC REVIEW
• END SEARCH
• ZEBRA
• MARKER
• PEAKING


• CAMERA SET
• GAIN SETUP
• SMOOTH GAIN
• HYPER GAIN
• AGC LIMIT
• BLK BALANCE
• WB PRESET
• WB OUTDR LVL
• WB TEMP SET
• ATW SENS
• SMOOTH WB
• AE SHIFT
• AE WINDOW
• AE RESPONSE
• AT IRIS LMT
• ECS FREQ.
• FLCKR REDUCE
• CNTRST ENHCR
• BACK LIGHT
• SPOTLIGHT
• STEADYSHOT
• AF ASSIST
• FOCUS MACRO
• HANDLE ZOOM
• D.EXTENDER
• FADER
• SMTH SLW REC
• INTERVAL REC
• DV FRAME REC
• SHOT TRANSITION
• S.TRANS/F.MARK
• x.v.Color
• COLOR BAR
• FLANGE BACK


• AUDIO SET
• DV AU.MODE
• AUDIO LIMIT
• XLR SET
• AUDIO CH SEL
• DV AUDIO MIX


• DISPLAY SET
• ZEBRA
• HISTOGRAM
• PEAKING
• MARKER
• CAM LEVELING
• EXP.FOCUS TYPE
• CAM DATA DSP
• AU.LVL DISP
• ZOOM DISPLAY
• FOCUS DISP
• SHUTTER DISP
• LCD BRIGHT
• LCD COLOR
• LCD BL LEVEL
• VF B.LIGHT
• VF COLOR
• VF POWERMODE
• LETTER SIZE
• REMAINING
• DISP OUTPUT


• IN/OUT REC
• REC FORMAT
• VCR HDV/DV
• HDV PROGRE.
• DV PROGRE.
• DV REC MODE
• DV WIDE REC
• VIDEO OUT
• LINK SET
• EXT REC CTRL


• TC/UB SET
• TC PRESET
• TC COUNTUP
• UB PRESET
• TC FORMAT
• TC RUN
• TC MAKE
• TC LINK
• UB TIME REC
• UB-DATE/TC-TIME


• MEMORY SET
• ALL ERASE
• FORMAT
• FILE NO.
• NEW FOLDER
• REC FOLDER
• PB FOLDER


• OTHERS
• CAMERA PROF
• ASSIGN BTN
• CLOCK SET
• WORLD TIME
• LANGUAGE
• PB ZOOM
• UICK REC
• DATE REC
• BEEP
• REC LAMP[F]
• REC LAMP[R]
• REMOTE CTRL
• HOURS METER
• CAMERA PROF.
• ASSIGN BTN
• CLOCK SET
• WORLD TIME
• LANGUAGE
• PB ZOOM
• QUICK REC
• DATE REC
• BEEP
• REC LAMP[F]
• REC LAMP[R]
• EMOTE CTRL


• Functions and Controls of Video Camera
• Colour Bar
• Power on/off
• VTR on/off
• Zoom control
• Iris Control auto/ manual/
• Viewfinder
• Earphone
• CCU cable connector,
• Camera Connector
• Video out
• Battery carrier
• Mikes in
• Low light On/off
• Viewfinder Controls
• Eye Piece Focus
• Zebra on /off
• Marker
• Viewfinder indicators
• CG
• Black Level/white balance
• Iris
• Audio
• Gain DB.
• Filter selection
• Colour Temperature
• Tape end
• Ape position
• Black stretch
• Shutter/various speed of electronic shutter.
• Tone
• Various Controls and how to use them
• Lens controls
• Back focus and how to set it
• Macro Focus
• Gen Lock,
• Multi-core camera cable,


• Camera support for video /film cameras
• Tripod
• Type Of heads
• Trolley dolly and cranes
• Large camera Cranes
• Fixing camera to vehicle
• Remotely controlled camera system
• Hand held camera
• Steady cam
• Rigging material.
• Chicken box.


• Understanding Video recording
• Composite and component
• Principle of video recording
• VTR formats
• Digital Recording Formats
• Apex: - DCT
• Chromo Sampling Methods
• Video compression
• JPEG
• MPEG, MPEG-1, MPEG-2.
• Editing and compression
• Digital sampling and storage


• Recording Formats
• 2K, 4K, 5K, 6K,8K
• Full HD
• MPEG-IMAX
• XD-CAM/CINE ALTA
• HD-V
• HD
• HD-CAM
• DV-CAM.


• Multi-camera system and ONLINE prod
• CCU
• TIME BASE ERROR
• Imp points about Multi camera system.


• Video Signal measurement tool
• Waveform monitor
• Monitoring the video signal
• Controlling the camera signal
• Stability of the video signal
• Vectroscope
• Front panel control of Vectro scope
• Phase and amplitude of colour vector


• Digital film making
• LFR( Laser film recorder)
• DI.(DIGITAL INTERMEDIATE)
• DIT


• Central Board of Film Certification
• The Central Board of Film Certification (often referred to as the Censor Board)
• Current Certificates
• U = Universal
• UA = Parental Guidance
• A = Adults Only
• S = Restricted to any special class of persons
• Additionally, V/U, V/UA, V/A


• special cinematography
• Points about How to Shooting in
• Various Typical Situations like.
• Rigging the camera
• Underwater shooting
• Shooting in snow
• Aerial photography.
• Shooting through Mirrors
• Use of Acrylic Mirror
• 3-Days Study Tour

• 1. Digital Single Lens Reflex (DSLR)
• Aspect Ratios & Anamorphic Lenses
• Compression & Bit Rate
• Depth of Field
• Exposure & Aperture
• Focal Length
• Frame Rate
• ISO & Noise
• Progressive vs. Interlaced (1080p vs 1080i)
• Viewfinder
• Shutter Release
• Shutter
• Shutter Speed Control
• F-Stop Control
• Flash
• Hot Shoe Mount
• Lens Ring Mount


• Time – lapse photography


• STORAGE (FOR THE SHOOT)
• SUPPORT SYSTEM


• Audio record - DSLR
• Boom Mic
• Camera Mounted Mic
• Wireless Lavalier
• Foley
• Noise
• Conclusions
• Magic Lantern Firmware
• GH1 Firmware
• Matte Box
• Filtration,Variablend
• LCD ViewFinder
• Field Monitor
• Picture Style Editor
• Post-Production Overview
• Storage (For the edit)
• Transferring,Viewing,Transcoding
• Audio Sync,Drift
• Noise Reduction
• Color Grading


• Important Camera controls
• ISO Speed
• Camera Shooting Modes
• Exposure meter
• The Histogram
• Exposure Compensation
• File type to store you images
• Storeage Cards
• Colour Space refers to the number of colours you camera will store
• Lenses and focal length
• Holding your Camera Steady
• Filters - do you need them and if so which ones are Important?
• White Balance
• F-stops and Apertures
• Important Camera Accessories


• LENS FOCAL LENGTH
• Typical focal lengths
• Normal
• Wide-angle
• Extreme wide-angle
• Portrait
• Telephoto
• Super-Telephoto
• Field sports
• Gym sports


• AUTOFOCUS
• Focus area selection modes
• Autofocus modes


• EXPOSURE
• Shutter speed + aperture (f-stop) + ISO (“film speed”) = exposure
• Aperture (f-stop)
• Shutter speed
• ISO (film speed)


• EXPOSURE METERING MODES
• Spot metering
• Center-weighted metering
• Evaluative, intelligent, or Matrix metering
• Exposure compensation
• Exposure Bracketing
• Shooting Modes


• WHITE BALANCE
• White balance modes
• Auto (or AWB)
• Preset (PRE)
• Creative use of white balance


• Source-specific
• Incandescent
• Fluorescent
• Flash
• Bright sunlight
• Cloudy
• Shade


• FLASH
• Types of flash
• Built-in on-camera flash or “pop up flash
• External hot-shoe mountable flash
• Professional strobes and studio lighting systems


• When and how to use flash
• Indoors
• Outdoors


• TRIPOD
• Why do I need a tripod?
• What kind of tripod to buy
• Tips for photographing with a tripod


• POST-PROCESSING AND IMAGE EDITING
• Re-sizing
• Sharpening
• Color correction
• Color conversion
• Levels or curves
• Red-eye correction
• Perspective or composition fixes


• Photoshop
• Types of Camera Shots
• ECU
• CU
• ELS
• MS
• MLS
• MCU
• LS
• OSS
• POV
• OTH
• Dolly Shot
• Establishing Shot
• Master Shot
• Aerial Shot
• Bridging Shot
• Montages Shot
• Silhouetting Shot
• Flash Back shot
• Flash forward shot


• Types of Camera Angels – Movement
• High
• Eye
• Low
• Overhead / Birds eye view
• Zoom
• Panning (Pan Right – Pan Left)
• Tilt (Tilt Up – Tilt Down)
• Dolly
• Tracking


• Visual Places
• Midground
• Foreground
• Background


• Mise-en-scene
• Setting / Location
• Properties
• Costumes, Makeup and hairstyles
• Coding of colors
• Actor, body language and position in frame
• Lighting


• Composing the shot
• Balance
• Spacing
• Background
• Placement of figures


• CAMERA DEPATRMENT
• Cinematographer
• Director of Photography
• Camera Operator
• First Assistant Camera
• Second Assistant Camera
• Camera focus puller
• Film Loader
• Camera Production Assistant
• Digital Imaging Technician
• Stead cam Operator
• Motion Control Technician/Operator
• DIT


• Exposure control
• Exposure
• Film speed. ASA
• Shutter speed
• Aperture


• Composition rules
• Line
• Shape
• Color
• Texture
• Direction
• Size


• Lens
• Resolving power: definition Focal length
• Prime lenses/block lenses
• Zoom lens
• Angle of view
• Normal lens
• Telephoto lens
• Wide angle lens
• Macro lens/micro lens
• Converter
• Idea of perspective
• Zoom ratio
• Lens speed
• Depth of field
• Depth of focus
• Hyper focal distance.
• Lens.Companies.carl Zeiess. Anguenus.


• Advance Photographic Image
• Halation
• Anti halation backing,
• Logarithmic scales
• Opacity
• Densities
• Base densities,
• Relation between Density and fog level
• Characteristic Curves
• D-max D-min, Shoulder, Toe,
• Gamma.
• Density measurement
• Black and white density


• ADVANCE EXPOSURE CONTROL
• Exposure test
• Metering
• Exposure latitude
• Light meters
• Incident light meter
• Reflected light meter
• 18% grey card.
• Zone System - Ansal Adam


• Colour and contrast
• Primary colour
• Secondary colour
• Tints and shades
• Colour mixing, subtractive and additive
• Complementary colours
• Basic properties of colour
• Hue, value, saturation
• Brightness and luminosity
• Warm and cool colour
• Colour relationship, harmonious, contrasting
• Neutral colour
• Colours and lights
• Colour Psychology


• Camera filters
• Filter factor
• Filter grades
• UV filter
• Infra red filter
• Neutral density filter
• Color gradation
• Polarizing filter
• Spl effect filters
• Diffusion filters
• Fog or pro-mist filter
• Contrast control filter
• Star effect
• Filter for black and white
• Colour conversation.80B, 85.
• Filtre.
• Sepia filter
• Day for night
• Contrast viewing filter
• Close up and split Field
• Handmade filter
• 85and ND mixed
• Florescent correction filter
• Mixed light situation


• Lights
• Tungsten lamps
• quartz lamp
• arc lamp
• Fluorescent tube lights
• Full spectrum fluorescent
• Flicker free Lights, HMI
• Muti-20, Muti-10, baby, solar, 5K
• Mini Brute
• Strobe lights
• Kino-Flo spl lights
• Fresnel spot
• Follow spot
• Disco -lights
• Cyclorama/background lights
• Soft Box lights
• Use of cutter stand, black cloth
• Use of Skimmer and satin cloth
• Various diffusion materials
• Control of intensity
• Barn doors
• Use of reflectors
• Outdoor location lighting
• Studio lighting
• Day for nights
• Night exterior
• Kino Flo
• Led lights


• Types of Lights
• Key Light
• Fill light
• Back light
• Rim lighting photography


• Lighting tools to control the Light
• Cutter stand
• Black cloth
• Black paper
• Thermo coal
• Gateway paper
• Butter paper
• Barn door
• Skimmer
• Magic arm
• Cutter
• C-clamp
• U- Clamp


• Primary colors
• Blue – Yellow
• Green – Magenta
• Red - Cyan

• Topics Covered in Syllabus: -
• History of Cinema and Television
• The History of Cinematography

• Cinema camera
• RED EPIC 5K
• RED ONE MYSTERIUM X 4K
• BLACK MAGIC DESIGN PRODUCTION CAMERA 4K
• ARRI (FILM) CAMERA


• Video camera
• Professional video camera 4k
• SONY 4K Camera
• SONY HDV HVR Z7U HIGH DEFINITION CAMCODER
• PANASONIC AG-AC90 CAMERA
• Panasonic AG-HMC80
• Sony DSR-PD177P


• DSLR – Digital Single – Lens Reflex camera
• PANASONIC LUMIX DMC GH4 -4K
• SONY ALPHA a7s - 4K
• CANON EOS 5D MARK II & MARK III
• CANON EOS 6D
• NIKON

• Basic
• Basic: Film Direction
• Basic: Video Editing
• Basic: Photoshop
• Basic: 3D

• Basic: Film Direction
• What is a Direction
• General Ideas of film, Video & Audio
• Fundamentals of Direction elements
• Shooting in Slow Motion. (High speed camera)

• Feature films
• Add films
• Tele films
• Documentary films
• Short films
• Educational films
• Online program films
• Tele play
• Tele Episode
• News story
• Animation films
• Children films

• Duties of Direction Department
• Apprentice
• Assistant Directors
• Associate Directors
• Co-Director
• Director

• TCR - CLAP BOARD – TRP
• CLAP BOARD
• Banner
• Title
• Date
• Location
• Day / Night
• Int / Ext
• TLK / SIL / PLB
• Scene Number
• Shot Number
• Take Number
• Insert shot
• End Clap (Reversely)

• TCR – Editing Report
• Date: …………… Time: …………
• Title: ………….. Scene No: ………….
• Director: ……………… Cinematographer: ……………………. Ass.Director…….

• Basic: Video Editing
• 1. Basic Video and Audio Editing
• Difference between Linear and Non Linear Editing
• Offline Editing and Online Editing
• Multiple cameras footage editing in Offline & Online
• Chrome key, Keying, Mattes, and Masks
• Color Correction
• DTS mixing/ Optical and Graphics
• DIT
• PAL – NTSC – SECAM
• TCR
• Clap board / editing report


• 2. Basic Audio Editing
• Audio Fundamentals
• Measuring Sound Intensity
• Signal-to-Noise Ratio
• Headroom and Distortion
• Dynamic Range and Compression
• Stereo Audio
• Digital Audio
• Hours
• Minutes
• Seconds
• Frames

• Photography: Digital SLR camera
• Digital Single Lens Reflex (DSLR)
• PANASONIC LUMIX DMC GH4 -4K
• SONY ALPHA a7s - 4K
• CANON EOS 5D MARK II & MARK III
• NIKON

• Video camera
• Professional video camera 4k
• SONY 4K Camera
• HDV HVR Z7U HIGH DEFINITION CAMCODER
• PANASONIC AG-AC90 CAMERA
• Panasonic AG-HMC80
• Sony DSR-PD177P


• Principle of Television
• Interlace scanning
• Horizontal scanning
• Vertical scanning
• Line interval
• Horizontal sync
• Vertical interval
• Sync pulse generator
• Vertical resolution
• Horizontal resolution and band width
• Colour composite Video signal
• Colour Television systems (PAL, SECAM, and NTSC)
• Colour Principles.
• Colour bars
• Split Fields
• How to adjust Color Monitor


• Video camera
• Pick up Device
• Optical section
• Charge Couple Device-CCD.
• Interline transfer
• Frame transfer
• Comparison between it and ft sensor
• Electronic Shutter
• Handling highlight
• HAD sensor
• Advantages/ limitation / resolution of CCD
• Corrections applied to video processing
• Shading Corrections
• Aperture Correction
• Flare Correction
• ABL
• Gamma correction
• Chrome gamma/colour correction
• Digital Signal processing in camera.


• Video camera ACCESSORIES
• Zoom lens
• View Finder
• Microphone
• Test chart
• Battery
• AC adapter
• Camera cable
• Care and handling of the Equipment


• CAMERA SET
• AUDIO SET
• DISPLAY SET
• IN/OUT REC
• TC/UB SET
• MEMORY SET
• SETTING THE DATE AND TIME
• GAIN SETUP
• SMOOTH GAIN
• HYPER GAIN
• ACG LIMIT
• BLK BALANCE
• WB PRESET
• WB O
• OTHERS


• Dubbing/Editing
• Dubbing to VCR, DVD/HDD device
• Recording pictures from a VCR
• Copying movies on a tape to a computer


• Adjusting the exposure
• Adjusting the iris
• Adjusting the volume of light (ND filter)
• Adjusting the gain
• Adjusting the shutter speed


• Adjusting to natural color (White balance)
• Customizing the picture quality (Picture profile)
• Adjusting the black balance


• DISPLAY
• FOCUS
• EXP.FOCUS
• ONE PUSH AF
• FOCUS INFNTY
• FOCUS MACRO
• D.EXTENDER
• HYPER GAIN
• BLK BALANCE
• AE SHIFT
• INDEX MARK
• STEADYSHOT
• BACK LIGHT
• SPOTLIGHT
• FADER
• COLOR BAR
• LAST SCN RVW
• REC REVIEW
• END SEARCH
• ZEBRA
• MARKER
• PEAKING


• CAMERA SET
• GAIN SETUP
• SMOOTH GAIN
• HYPER GAIN
• AGC LIMIT
• BLK BALANCE
• WB PRESET
• WB OUTDR LVL
• WB TEMP SET
• ATW SENS
• SMOOTH WB
• AE SHIFT
• AE WINDOW
• AE RESPONSE
• AT IRIS LMT
• ECS FREQ.
• FLCKR REDUCE
• CNTRST ENHCR
• BACK LIGHT
• SPOTLIGHT
• STEADYSHOT
• AF ASSIST
• FOCUS MACRO
• HANDLE ZOOM
• D.EXTENDER
• FADER
• SMTH SLW REC
• INTERVAL REC
• DV FRAME REC
• SHOT TRANSITION
• S.TRANS/F.MARK
• x.v.Color
• COLOR BAR
• FLANGE BACK


• AUDIO SET
• DV AU.MODE
• AUDIO LIMIT
• XLR SET
• AUDIO CH SEL
• DV AUDIO MIX


• DISPLAY SET
• ZEBRA
• HISTOGRAM
• PEAKING
• MARKER
• CAM LEVELING
• EXP.FOCUS TYPE
• CAM DATA DSP
• AU.LVL DISP
• ZOOM DISPLAY
• FOCUS DISP
• SHUTTER DISP
• LCD BRIGHT
• LCD COLOR
• LCD BL LEVEL
• VF B.LIGHT
• VF COLOR
• VF POWERMODE
• LETTER SIZE
• REMAINING
• DISP OUTPUT


• IN/OUT REC
• REC FORMAT
• VCR HDV/DV
• HDV PROGRE
• DV PROGRE
• DV REC MODE
• DV WIDE REC
• VIDEO OUT
• LINK SET
• EXT REC CTRL


• TC/UB SET
• TC PRESET
• TC COUNTUP
• UB PRESET
• TC FORMAT
• TC RUN
• TC MAKE
• TC LINK
• UB TIME REC
• UB-DATE/TC-TIME


• MEMORY SET
• ALL ERASE
• FORMAT
• FILE NO.
• NEW FOLDER
• REC FOLDER
• PB FOLDER


• OTHERS
• CAMERA PROF
• ASSIGN BTN
• CLOCK SET
• WORLD TIME
• LANGUAGE
• PB ZOOM
• UICK REC
• DATE REC
• BEEP
• REC LAMP[F]
• REC LAMP[R]
• REMOTE CTRL
• HOURS METER
• CAMERA PROF.
• ASSIGN BTN
• CLOCK SET
• WORLD TIME
• LANGUAGE
• PB ZOOM
• QUICK REC
• DATE REC
• BEEP
• REC LAMP[F]
• REC LAMP[R]
• EMOTE CTRL


• Functions and Controls of Video Camera
• Colour Bar
• Power on/off
• VTR on/off
• Zoom control
• Iris Control auto/ manual/
• Viewfinder
• Earphone
• CCU cable connector,
• Camera Connector
• Video out
• Battery carrier
• Mikes in
• Low light On/off
• Viewfinder Controls
• Eye Piece Focus
• Zebra on /off
• Marker
• Viewfinder indicators
• CG
• Black Level/white balance
• Iris
• Audio
• Gain DB.
• Filter selection
• Colour Temperature
• Tape end
• Ape position
• Black stretch
• Shutter/various speed of electronic shutter.
• Tone
• Various Controls and how to use them
• Lens controls
• Back focus and how to set it
• Macro Focus
• Gen Lock,
• Multi-core camera cable,


• Camera support for video /film cameras
• Tripod
• Type Of heads
• Trolley dolly and cranes
• Large camera Cranes
• Fixing camera to vehicle
• Remotely controlled camera system
• Hand held camera
• Steady cam
• Rigging material
• Chicken box


• Understanding Video recording
• Composite and component
• Principle of video recording
• VTR formats
• Digital Recording Formats
• Apex: - DCT
• Chromo Sampling Methods
• Video compression
• JPEG
• MPEG, MPEG-1, MPEG-2.
• Editing and compression
• Digital sampling and storage


• Recording Formats
• 2K, 4K, 5K, 6K,8K
• Full HD
• MPEG-IMAX
• XD-CAM/CINE ALTA
• HD-V
• HD
• HD-CAM
• DV-CAM.


• Multi-camera system and ONLINE prod
• CCU
• TIME BASE ERROR
• Imp points about Multi camera system.


• Video Signal measurement tool
• Waveform monitor
• Monitoring the video signal
• Controlling the camera signal
• Stability of the video signal
• Vectroscope
• Front panel control of Vectro scope
• Phase and amplitude of colour vector


• Cinematography modules
• Cinema camera
• RED HELIUM 8K
• RED EPIC 5K
• RED ONE MYSTERIUM X 4K
• BLACK MAGIC DESIGN PRODUCTION CAMERA 4K
• ARRI (FILM) CAMERA


• THEORY OF CAMERAOPERATION
• Mysterium x sensor
• Image processing
• Hdrx
• Magic motion
• Audio recording
• Microphone level analog inputs
• Line level analog inputs
• Video monitoring outputs
• Bomb evf
• Red touch lcd
• Hd-sdi
• Hdmi
• Redmote
• Digital magazine (media)


• Metadata
• Red’s family of dsmc cameras record the metadata, which is data for each frame of the recording:
• Clip name
• Time code
• Date and gmt
• Lens and shutter speed / angle parameters
• Audio configuration
• Firmware version
• Media serial
• ltc user bits (3 32-bit word reg-dumps from isp)
• S4i static data
• S4i dynamic data
• Gmt time/data
• RGB curves
• Shadow control
• Luma curve
• Lens name, brand, id, near focus, far focus
• Camera network name
• Production name
• Director name
• Dp name
• Copyright
• Unit
• Camera name
• Location
• Scene
• Take
• Accelerometer data
• Gyro data


• Clip naming conventions
• Multi camera shoots
• 3d (stereo) camera shoots
• Smpte timecode
• Power consumption
• Camera operational controls
• Side ssd module
• Navigation group
• Installation / removal
• Dsmc modules
• Pro i/o module
• Rear ssd module
• Quad battery module
• Dual battery module


• MODULE INSTALLATION / REMOVAL
• Power down the camera.
• Remove the REDMOTE.
• Place the adapter plate over the v-mount on the rear of the camera brain.
• Using a T-20 Torx, lightly tighten the four screws. Do not over tighten
• Tighten the screws again in a cross pattern until tight.


• ATTACHING THE DSMC MODULE
• REDMOTE
• Still/Motion Slider B. Release Button (L) C. Record LED
• Power LED
• Rocker Switch F. User Keys A-D G. MENU Button
• Soft Menu Keys 1-3 I. Navigation Group
• Focus/Record Button K. Soft Menu Keys 4-8 L. Power/Lock Slider
• Release Button (L) N. USB Connector


• REDMOTE Navigation Group
• Scroll Wheel
• Direction Keys
• Enter Button


• DISPLAYS BOMB EVF AND BOMB EVF (OLED)
• Resolution: 1280 (wide) x 784 (high) full-color
• Contrast Ratio: 1000:1 typical
• Available diopter range: +2.0 to -5.0.I


• BOMB EVF
• Focus Ring
• Talley Light
• Brightness Controls


• Touch screen LCD – 5” LCD Shown
• User Key 1 1:1 Magnify
• Backlight Adjust
• C. User Key 2 Exposure Check


• BASIC OPERATION
• DC (Voltage) or Brick (%)
• Battery Module batteries
• Side Handle battery


• BACKPACK QUICKPLATE (SHORT) CONNECTORS
• LED Green Blinking = Battery Used
• LED Yellow Blinking = Battery has 10 minutes of run time remaining
• LED Red Blinking = Battery has 5 minutes of run time remaining
• LED Constant Red = Battery Discharged


• EXTERNAL DC POWER
• Power Status LED
• Power/Record Button
• Record Status LED


• The display elements
• Audio Meter
• Clip Level Bar
• Clip Meter
• Cursors
• Drop
• F Stop
• False Color Mode
• Frame Guide
• Frame Rate
• Gunlock
• HDR Mode
• Histogram
• ISO Rating
• LAN
• Magnify
• Media Status
• Menu ICON
• Noise Level Bar
• Playback ICON
• Power
• Project Frame Rate
• Quality
• Resolution Record
• RIG
• RM
• Shutter Speed
• Shutter Sync
• TC
• Temperature
• Time code
• White Balance
• Next Clip Filename
• Playback Access (Touch screen)
• Current frame capture rate
• ISO Rating
• Shutter Speed (or Shutter Angle)
• ISO
• F STOP
• APERTURE (F STOP)
• FOCUS
• EXPOSURE
• INTEGRATION TIME
• REDCODE OPTIONS FOR VARIOUS FRAME RATES

• 1. Digital Single Lens Reflex (DSLR)
• Aspect Ratios & Anamorphic Lenses
• Compression & Bit Rate
• Depth of Field
• Exposure & Aperture
• Focal Length
• Frame Rate
• ISO & Noise
• Progressive vs. Interlaced (1080p vs 1080i)
• Viewfinder
• Shutter Release
• Shutter
• Shutter Speed Control
• F-Stop Control
• Flash
• Hot Shoe Mount
• Lens Ring Mount


• Time – lapse photography
• STORAGE (FOR THE SHOOT)
• SUPPORT SYSTEM


• Audio record - DSLR
• Boom Mic
• Camera Mounted Mic
• Wireless Lavalier
• Foley
• Noise
• Conclusions
• Magic Lantern Firmware
• GH1 Firmware
• Matte Box
• Filtration,Variablend
• LCD ViewFinder
• Field Monitor
• Picture Style Editor
• Post-Production Overview
• Storage (For the edit)
• Transferring,Viewing,Transcoding
• Audio Sync,Drift
• Noise Reduction
• Color Grading


• Important Camera controls
• ISO Speed
• Camera Shooting Modes
• Exposure meter
• The Histogram
• Exposure Compensation
• File type to store you images
• Storeage Cards
• Colour Space refers to the number of colours you camera will store
• Lenses and focal length
• Holding your Camera Steady
• Filters - do you need them and if so which ones are Important?
• White Balance
• F-stops and Apertures
• Important Camera Accessories


• LENS FOCAL LENGTH
• Typical focal lengths
• Normal
• Wide-angle
• Extreme wide-angle
• Portrait
• Telephoto
• Super-Telephoto
• Field sports
• Gym sports


• AUTOFOCUS
• Focus area selection modes
• Autofocus modes


• EXPOSURE
• Shutter speed + aperture (f-stop) + ISO (“film speed”) = exposure
• Aperture (f-stop)
• Shutter speed
• ISO (film speed)


• EXPOSURE METERING MODES
• Spot metering
• Center-weighted metering
• Evaluative, intelligent, or Matrix metering
• Exposure compensation
• Exposure Bracketing
• Shooting Modes


• WHITE BALANCE
• White balance modes
• Auto (or AWB)
• Preset (PRE)
• Creative use of white balance


• Source-specific
• Incandescent
• Fluorescent
• Flash
• Bright sunlight
• Cloudy
• Shade


• FLASH
• Types of flash
• Built-in on-camera flash or “pop up flash
• External hot-shoe mountable flash
• Professional strobes and studio lighting systems


• When and how to use flash
• Indoors
• Outdoors


• TRIPOD
• Why do I need a tripod?
• What kind of tripod to buy
• Tips for photographing with a tripod


• POST-PROCESSING AND IMAGE EDITING
• Re-sizing
• Sharpening
• Color correction
• Color conversion
• Levels or curves
• Red-eye correction
• Perspective or composition fixes


• Photoshop
• Types of Camera Shots
• ECU
• CU
• ELS
• MS
• MLS
• MCU
• LS
• OSS
• POV
• OTH
• Dolly Shot
• Establishing Shot
• Master Shot
• Aerial Shot
• Bridging Shot
• Montages Shot
• Silhouetting Shot
• Flash Back shot
• Flash forward shot


• Types of Camera Angels – Movement
• High
• Eye
• Low
• Overhead / Birds eye view
• Zoom
• Panning (Pan Right – Pan Left)
• Tilt (Tilt Up – Tilt Down)
• Dolly
• Tracking


• Visual Places
• Midground
• Foreground
• Background


• Mise-en-scene
• Setting / Location
• Properties
• Costumes, Makeup and hairstyles
• Coding of colors
• Actor, body language and position in frame
• Lighting


• Composing the shot
• Balance
• Spacing
• Background
• Placement of figures


• CAMERA DEPATRMENT
• Cinematographer
• Director of Photography
• Camera Operator
• First Assistant Camera
• Second Assistant Camera
• Camera focus puller
• Film Loader
• Camera Production Assistant
• Digital Imaging Technician
• Stead cam Operator
• Motion Control Technician/Operator
• DIT


• Exposure control
• Exposure
• Film speed. ASA
• Shutter speed
• Aperture


• Composition rules
• Line
• Shape
• Color
• Texture
• Direction
• Size


• Lens
• Resolving power: definition Focal length
• Prime lenses/block lenses
• Zoom lens
• Angle of view
• Normal lens
• Telephoto lens
• Wide angle lens
• Macro lens/micro lens
• Converter
• Idea of perspective
• Zoom ratio
• Lens speed
• Depth of field
• Depth of focus
• Hyper focal distance.
• Lens.Companies.carl Zeiess. Anguenus.


• Advance Photographic Image
• Halation
• Anti halation backing,
• Logarithmic scales
• Opacity
• Densities
• Base densities,
• Relation between Density and fog level
• Characteristic Curves
• D-max D-min, Shoulder, Toe,
• Gamma.
• Density measurement
• Black and white density


• ADVANCE EXPOSURE CONTROL
• Exposure test
• Metering
• Exposure latitude
• Light meters
• Incident light meter
• Reflected light meter
• 18% grey card.
• Zone System - Ansal Adam


• Colour and contrast
• Primary colour
• Secondary colour
• Tints and shades
• Colour mixing, subtractive and additive
• Complementary colours
• Basic properties of colour
• Hue, value, saturation
• Brightness and luminosity
• Warm and cool colour
• Colour relationship, harmonious, contrasting
• Neutral colour
• Colours and lights
• Colour Psychology


• Camera filters
• Filter factor
• Filter grades
• UV filter
• Infra red filter
• Neutral density filter
• Color gradation
• Polarizing filter
• Spl effect filters
• Diffusion filters
• Fog or pro-mist filter
• Contrast control filter
• Star effect
• Filter for black and white
• Colour conversation.80B, 85.
• Filtre.
• Sepia filter
• Day for night
• Contrast viewing filter
• Close up and split Field
• Handmade filter
• 85and ND mixed
• Florescent correction filter
• Mixed light situation


• Lights
• Tungsten lamps
• quartz lamp
• arc lamp
• Fluorescent tube lights
• Full spectrum fluorescent
• Flicker free Lights, HMI
• Muti-20, Muti-10, baby, solar, 5K
• Mini Brute
• Strobe lights
• Kino-Flo spl lights
• Fresnel spot
• Follow spot
• Disco -lights
• Cyclorama/background lights
• Soft Box lights
• Use of cutter stand, black cloth
• Use of Skimmer and satin cloth
• Various diffusion materials
• Control of intensity
• Barn doors
• Use of reflectors
• Outdoor location lighting
• Studio lighting
• Day for nights
• Night exterior
• Kino Flo
• Led lights


• Types of Lights
• Key Light
• Fill light
• Back light
• Rim lighting photography


• Lighting tools to control the Light
• Cutter stand
• Black cloth
• Black paper
• Thermo coal
• Gateway paper
• Butter paper
• Barn door
• Skimmer
• Magic arm
• Cutter
• C-clamp
• U- Clamp


• Primary colors
• Blue – Yellow
• Green – Magenta
• Red - Cyan

• Introduction
• Introducing Black magic URSA
• Attaching the Handle
• Attaching a Lens
• Powering Your Camera
• Mounting Batteries


• CFast Cards
• Inserting a CFast Card
• Preparing a CFast Card for Recording
• Preparing CFast Cards on a Mac OS X Computer
• Preparing CFast Cards on a Windows Computer


• Overview of Camera Controls
• DOP Station
• Monitor Controls
• Work Station Features
• Camera Assist and Audio Station
• Work Station Features
• Front Panel
• Rear Panel
• Top Panel
• Bottom Panel


• Recording
• Recording Clips
• Recording Duration Table


• Playback
• Playing Back Clips


• Connectors:
• Camera Assist and Audio Station Connectors
• Rear Panel Connectors
• Bottom Panel Connector


• Camera Features
• Work Station Buttons
• Touch Screens
• Touch Screen Features
• Status Strip
• Power Indicator
• Duration Display
• Transport Display
• Media Timeline


• Settings
• Camera Settings
• Audio Settings
• Recording Settings
• File Naming Convention
• Display Settings


• Entering Metadata


• Camera Video Output
• Monitoring using SDI


• Post Production Workflow
• Working with Files from CFast 2.0 Cards
• Editing your Clips
• Using Final Cut Pro X
• Using Avid Media Composer
• Using Adobe Premiere Pro CC
• Using Autodesk Smoke 2013


• Black magic Camera Utility
• Transfer of Film to Video.
• Tele-cine basic.
• Type of Tele-cine machine.
• Frame per sec.
• File type.


• LATEST TECHNOLOGY
• Digital Intermediate: - DI
• Understanding various models and technical aspects connected with D.I.
• DIT


• Batteries for Motion picture camera
• Shooting Format:-
• 16mm/
• 35mm/
• 70mm/
• super.16/
• I-max
• /3-D


• Digital film making
• LFR( Laser film recorder)
• DI.(DIGITAL INTERMEDIATE)
• DIT


• Central Board of Film Certification


• The Central Board of Film Certification (often referred to as the Censor Board)
• Current Certificates
• U = Universal
• UA = Parental Guidance
• A = Adults Only
• S = Restricted to any special class of persons
• Additionally, V/U, V/UA, V/A


• special cinematography
• Points about How to Shooting in
• Various Typical Situations like.
• Rigging the camera
• Underwater shooting
• Shooting in snow
• Aerial photography.
• Shooting through Mirrors
• Use of Acrylic Mirror
• 3-Days Study Tour